11-27: Lightning Bolt: Hypermagic Mountain
11-20: Wooden Wand and the Vanishi...: The Flood
10-02: ...: Oboroed/Circus Live...
07-04: Need New Body: Where's Black Ben?
04-09: Caribou: The Milk of Human Kindness
10-13: Sonic Youth: Sonic Nurse
10-13: Things Explod...: It's Never Worked Befor...
10-03: Controller.Controller: History
Music Reviews index


11-09: Three...Extremes
10-19: Battle Royale II
10-04: A History of Violence
08-26: Grizzly Man
08-22: The 40 Year-Old Virgin
08-12: The Dukes of Hazzard
08-05: The Devil's Rejects
08-03: The Island
Movie Reviews index


01-06: List: Best/Worst of 2005: Movies
08-28: List: 2004's 50 Best Albums, Part 2
07-02: List: 2004's Best and Worst Movies
04-20: Article: Mikel Ate That CD
04-20: Interview: Half of the Fiery Furnaces
04-17: List: 2004's 50 Best Albums, Part 1
04-08: List: 2003's 20 Best Albums
Features index


Jersey Girl
Jersey Girl
Ben Affleck, Liv Tyler, Jennifer Lopez, Raquel Castro, George Carlin, Jason Biggs
Directed by Kevin Smith
102 min, 2004

1/8

Good news, Kevin Smith fans: he's still a hack. The bad news is he is no longer a hack in a likable everyman sort of way. Now he's a hack in a genuinely unpleasant sort of way. In a 'there are people who like this guy?' sort of way. Ben Affleck must be rubbing off on him.

Ben Affleck plays the super-buff super-asshole dad, who, inexplicably, everyone loves. The story follows him on his path from asshole to slightly smaller asshole. Why would Kevin Smith think that any of his other characters would care about this guy? Or why, for that matter, would we?

The perfunctory Star Wars references in this feel not like the amusing fanboy conversation crutches they were in Clerks, but like smug self-reference to the amusing fanboy conversaion crutches in Clerks. The cameos all feel self-satisfied and forced, with the exception of Will Smith, who provides one of the few interesting scenes in the film. The situations are uniformly cliched and implausible. It's like Kevin Smith decided to make a romantic comedy by cutting up a thousand other romantic comedies and pasting them together, photo-mosaic style, into a big picture of Ben Affleck's smirking mug.

While it arguably may not be the worst soundtrack ever, it is certainly the soundtrack that is most poorly employed. Every single song swells a little too loud, lyrically references what is happening on the screen a little too closely, stands in for acting and filmcraft in an attempt to create emotion a little too obviously. By the time the closing credits roll and you are painfully reminded that the movie is named after a Bruce Springsteen song, you finally give up and let the movie make you hate it.


quoth Pat Jackson.